50 reasons to go see a play: Combine travel and theatre – curious arts

To celebrate the 50th anniversary of the University of Alberta’s Department of Drama, the Curious Arts blog is sharing 50 Reasons to Go See A Play throughout the 2015-16 season.

Here’s our sixth in a series of 50 Reasons to Go See A Play, by Erin McDougall (’06 BA, ’09 BEd). When Erin moved to France in August 2014, she was excited about the opportunities to combine travel and theatre to create unique cultural experiences and memories. Now, a little over a year later, she’s living the dream, taking in diverse dance and theatre, as she and her husband enjoy traveling around their vast European cultural playground whenever they can.

“When I travel somewhere, I make an effort to take a dance class or see some theatre in that place. It’s not always possible but when it is, it’s always worth the time and extra money for the enriched experience of learning about a place, its people and its stories on a different level. I always leave with a deeper appreciation of that place and unique memories to reflect on later,” says Erin.

When she heard about a special tour of Denmark’s Kronborg Castle, that is essentially a one-man retelling of Hamlet from Horatio’s point of view, she jumped at the opportunity to go see a fresh take on an old story…

In Hamlet’s Footsteps: A Theatrical Tour of Denmark’s Kronborg Castle

The Scene: a blustery day in August.

The Place: Kronborg Castle, Helsignør, Denmark.

The Player stood at the ready in the courtyard, in period costume.

The Crowd gathered in anticipation.

Kronborg Castle

And thus began our guided tour of Kronborg Castle, led by none other than Horatio, friend of Hamlet, Prince of Denmark.


Horatio introduced himself to the group humbly as Hamlet’s servant, though he told us the Prince considered him to be a most trusted friend. He led us out of the courtyard to overlook the Swedish sea outside. The row of heavy cannons stood in their defensive position while the Danish flag flapped proudly in the salty wind behind us.

It was there, Horatio told us while pointing to the flag, that he first heard of a ghost appearing late at night. The grey weather was indeed a strong supporting player in this performance as it added a sense of foreboding around the castle grounds; it wasn’t at all difficult to picture a ghost appearing nearby.

Horatio went on to explain the odd circumstances of the ghost’s appearance: the King is newly dead, the Queen recently remarried her deceased husband’s brother and “something is rotten in the state of Denmark.”


Our guide then beckoned us to follow him underneath the castle, to a dark, dank, chilly corridor lit by real lanterns. There, among the old piles of stones and the flickering light, Horatio told us how Hamlet insisted those who’d seen the ghost and heard its lament swear not to reveal its tragic secret. His sudden shout of “SWEAR!” shattered the hushed calm and sent a loud echo that clanged off the stone walls, making us all jump and shiver from the sudden goosebumps that spread across our necks. It was a great moment that pulled us even further into the intrigue of the story.

As we wound ourselves through the castle’s dimly lit underbelly, Horatio explained how Ophelia, Hamlet’s love, had tried to follow them through these very passages and eavesdrop on their urgent discussions. Hamlet already had doubts at this point over who he could trust and angrily dismissed Ophelia, telling her to ‘get thee to a nunnery’

We suddenly found ourselves blinking in the daylight outside the castle once again. Near the gates, Horatio pointed out the place where he and Hamlet greeted the troupe of players and briefed them on his plan: “The play’s the thing, wherein I’ll catch the conscience of the King”.

He then ushered us into the castle’s beautiful, ornate chapel, where Claudius, deeply shaken from the play’s performance, prayed to God. Horatio indicated the large stone pillars where Hamlet hid and watched his uncle confess but upon hearing his admission of guilt, he could not bring himself to kill him there, in God’s house, for he would surely be damned for all eternity.

The Chapel

He then brought us to the chambers of the Queen.

This was the place, he told us gravely, that Hamlet confronted his mother. As we peered through the narrow doorway into the chamber, our attention was drawn to the large hanging tapestry…it was behind there Hamlet noticed a figure lurking and eavesdropping…surely it was Claudius, the murderer! However, the figure was revealed to be Polonius, who tragically met his end there, stabbed through his hiding place by his daughter’s lover. This moment was one of my favourite of the tour as there was a brilliantly timed thud from within the room, like that of a lifeless body hitting the floor. It brought a terrific feeling of being inside the story as it was unfolding.

We followed Horatio to another small chamber where he had the unfortunate duty of helping Hamlet stash Polonius’ body. We paused in the hallway, next to some tall gilded windows where Horatio told us of a strange conversation they had with some gravediggers about a skull…but there was little time to dwell on this, as word came that Laertes, Ophelia’s brother, had challenged Hamlet to a duel over his sister’s recent suicide following their father’s death. I was reminded at this point just how many bodies this play leaves in its wake.


Finally, we reached the Great Hall, were the climactic duel between Hamlet and Laertes took place. It was a grand room, with a smooth, polished stone floor, tall windows, and dangling chandeliers. Horatio’s tale picked up speed as he relayed the highlights of the duel: the unexpected points Hamlet scored, the poisoned foils and the King and Queen both dying from poisoned drink. His voice was full of emotion as he told us how as Hamlet lay dying and Horatio himself was prepared to follow his friend into the afterlife, the Prince made him take one more vow – to share the tale of what really happened here at Helsignør, to dispel the rumours and to keep his memory alive – hence his reason for taking us on the tour.


The In Hamlet’s Footsteps Tour was a fascinating theatrical experience. The Horatio character makes the story quite accessible to those who aren’t familiar with Shakespeare’s play – it’s basically an ‘essential plot-points’ version. For those who have studied or seen Hamlet before (as I have – three different times), it was exciting to experience the story in a fresh way, in its inspired setting and to anticipate where in the castle we’d go next.

In only 45 minutes, we got to experience all the spookiness, lies, deceit, intrigue, murder and bloodiness of one of Shakespeare’s most popular tragedies in one of UNESCO’s World Heritage Sites. It couldn’t have been set in a more beautiful and interesting place. As Shakespeare himself once said, in another play: “All the world’s a stage…”

Read more about Erin’s travel adventures on her blog A Dancer Abroad where the original version of this article was first published.


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